12/13/23

Marjorie Ann Watts - A daughter’s life is changed on discovering her adoptive father is in fact her true father; in her imagination, an elderly woman removes the blue mantle from a plaster statue of the Virgin Mary and is delighted to find black lace underneath; a senior academic, about to deliver a lecture to his students, is unsettled by memories of a passionate affair.



Marjorie Ann Watts, Are they funny, are they dead? CB Editions, 2010


‘I love these stories – shrewdly observed and wickedly funny’  – Salley Vickers


A daughter’s life is changed on discovering her adoptive father is in fact her true father; in her imagination, an elderly woman removes the blue mantle from a plaster statue of the Virgin Mary and is delighted to find black lace underneath; a senior academic, about to deliver a lecture to his students, is unsettled by memories of a passionate affair.
These spare, elegant, disconcerting stories swerve between the long perspectives of memory and the abrupt questions of children running free: ‘Where does the world go when I am dead?’ Marjorie Ann Watts, the author of a series of books for children, brings to the ambiguities of adult relationships, and the fault-lines between generations, a rare and sharp-witted understanding of how ‘the past remains forever embedded in the present’.
‘Her writing is both beautiful and spare, immediately gripping, and has the rare quality of revealing a character in a few words. “How Things Turn Out”, the story of a tycoon’s flawed relationship with his children, starts: “Lord Porter had married young and then forgotten about it. He supposed he had loved his wife, he had never given it much thought.” In “Birthdays” (which won a literary prize), the entire tragedy of one woman’s domestic life is there in a few exchanges over the breakfast table . . .’    – Camden New Journal


‘The ghost of Scheherazade flits though Marjorie Ann Watts’ collection, as her elderly characters try to ward off death in Are they funny, are they dead? . . . The feistiness of her heroines, who won’t be put off, like the female patient in “A Vivid Imagination” or little Linny who defies God in “Religious Studies”, would surely have pleased the late Angela Carter.’  – Lesley McDowell, Financial Times


‘This remarkable collection of short stories . . . Ordinary people going about their ordinary lives, the daily humdrum stuff of living and loving all telescoped through the perceptive eyes of an octogenarian. The insensitivities of others laid bare with refreshing candour, those miscommunications, the innocent observations of children so frequently misunderstood by adults, and there’s something about revenge being a dish best served cold that is meted out here too . . . all beautifully observed from that unique vantage point of age and experience; ageing seen through the eyes, with respect, of the “aged”, and then that retrospective analysis of childhood that it's impossible to make when you are younger. This is surely Marjorie Ann Watts’s book of her entire lifetime and I sincerely hope there are more to come.’ Dovegreyreader

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.

Catherine Axelrad - With a mix of mischief, naivety, pragmatism and curiosity, Célina’s account of her relationship with the ageing writer, Victor Hugo, is an arresting depiction of enduring matters of sexual consent and class relations.

  Catherine Axelrad, Célina , Trans.  by Philip  Terry,  Coles Books,  2024 By the age of fifteen, Célina has lost her father to the...