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Showing posts from November, 2016

Misha Pam Dick - Büchner flees 19th century Germany, juggling Spinoza and Descartes and churning out a few plays and a novella; Dick paces around 21st century New York City, thinking through Büchner in the context of our surveillance state governing the ‘white-supremacist-capitalist patriarchy’

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Misha Pam Dick, this is the fugitive, Essay Press, 2016.


this is the fugitiveis an essay in the form of a prose poem, an assay with the content of a reflection, an essey that is driven out but bending back. Through the lenses of Georg Büchner’s life and works (Woyzeck, Danton’s Death, etc.), it contemplates socio-political oppression and rebellion, government surveillance, violence (particularly against women and girls) and alienation. Pronouns rove among personas, including Büchner’s female characters and his fiancée Wilhelmine Jaeglé, in a triple exposure of childhood, teenhood and adulthood. The book’s girlish straying is an ethical and spiritual wrestling—an exploration of transience and transcendence, flight and fluid identities, melancholy and freedom. While staying vulnerable to the present, THIS IS THE FUGITIVE strives for a fugitive poetics as a form of translit.



“Never have the trickster tendencies of Misha Pam Dick (aka Gregoire Pam Dick, Mina Pam Dick, et al.) been so bruta…

The Filatory - re-creating the impulse of secret societies in an age of instant exposure to all kinds of thought. A pandemonic response to the apollonian data-networks. Swarm-written by a legion of damned souls crawling their way through Negarestanian worm-holes to gather in a global conspiracy for committing a multitude of sins

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The Filatory: Compendium I.  gnOme. 2016.
read it at Google Books



This collection marks new experimental domains for The Filatory, an unidentified circle that operates with the intent of concealment: re-creating the impulse of secret societies in an age of instant exposure to all kinds of thought. The specific offering found here is a joint effort of several international factions, textual fragments that are both offered in original English and translated into such. The Filatory: Compendium I generates ideas that displace expression, taking on a life and clearing a space of their own.
CONTENTS: Strands. Book I: Secrecy, Suspicion, The Writing of the Haunt, Architectonics, Counter-Prayer, Collection, Artificiality. Book II: Smoothness, Bones, Laceration, Threading, Layers, Emblems, Apparatus, Saturation, Residue, Slippage, Estrangement, Pockets, Gestures, Distractions, Dreams, The Call.
“This Compendium is a pandemonic response to the apollonian data-networks. Swarm-written by a legion o…

Gabriel Blackwell - Dubbed a commonplace book—a collection of quotations to analyse a subject—Blackwell swirls memoir, fiction, film criticism, and quotes from such figures as W.G. Sebald and Rebecca Solnit, to create a kind of melancholic kaleidoscope (much like Vertigo’s title sequence)

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Gabriel Blackwell, Madeleine E.,Outpost19, 2016.
www.gabrielblackwell.com
A commonplace book, arranging passages from critics considering Alfred Hitchcock's Vertigo, along with fragments of memoir and fiction. Presented first as random notes on watching the legendary film, the meticulously arranged fragments soon take up multiple threads and, like a classic Hitchcock movie, present competing realities.

"MADELEINE E. breathes new life into the novel, the monograph, the commonplace book, the memoir. . . This is a book that will be treasured by readers who are eager to glimpse the horizons of contemporary writing as well by those who appreciate a good old-fashioned page-turner. Gabriel Blackwell's writing proves that a genre-defying literature is not only possible, it's necessary." - Evan Lavender-Smith
"MADELEINE E. is a riveting examination of the self (or selves), spun from the yarn skein in Gabriel Blackwell's labyrinthine mind. Using Hitchcock's master…