Tatsumi Hijikata, Costume en Face: A Primer of Darkness for Young Boys and Girls, Trans. by Sawako Nakayasu Ugly Duckling Presse, 2015.
Tatsumi
Hijikata (1928-1986) is a founding father of the radical dance form that he
called Butoh, whose choreography required dancers to internalize complex and
often grotesque images, experiences and perspectives in order to produce precise
movements. Though influenced by Western artists and writers—the expressionist
dance of Mary Wigman, the writings of Artaud, de Sade, Bataille, and Genet, and
the drawings and paintings of Goya, Picasso, Toyen, Beardsley, and others—he was
dedicated to the particular experience of the marginalized, Japanese suffering
body after World War II. In the mid-1970s, Hijikata became concerned with
developing notation for his Butoh, and some of these Butoh-fu notations remain,
largely in the form of notebooks transcribed by his disciples. COSTUME EN FACE
is the first publication of one of Hijikata's notebook notations in either
English or Japanese. In it we can see, for the first time, the profound
interconnectedness of language and body in Hijikata's process of composition.
Hijikata’s language implies meanings and feelings that logical language cannot convey. His words are fingers between which sand slips.—Kurihara Nanako, The Drama Review
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