The Best Small Fictions 2015 - a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words.



The Best Small Fictions 2015,ed by Robert Olen Butler and Tara L. Masih, Queen's Ferry Press, 2015.




It takes many small things to make something big. Fifty-five acclaimed and emerging writers—including Emma Bolden, Ron Carlson, Kelly Cherry, Stuart Dybek, Blake Kimzey, Roland Leach, Bobbie Ann Mason, Diane Williams, and Hiromi Kawakami—have made the debut of The Best Small Fictions 2015 something significant, something worthwhile, and something necessary. Featuring spotlights on Pleiades journal and Michael Martone, this international volume—with Pulitzer Prize–winning author Robert Olen Butler serving as guest editor and award-winning editor Tara L. Masih as series editor—is a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words.



"Whatever one calls them—flash fictions, microfictions, short shorts—the number of outlets where such pieces are published continue to grow along with the interest of readers and writers in the form. The time is right for a Best of the Year anthology."—Stuart Dybek, author of The Coast of Chicago and Ecstatic Cahoots                    
"These small fictions are small only in length, not in impact. Their minuteness provides a different lens upon life—one that illuminates the telling yet elusive moments that bigger stories often overlook. A different slant on the truth emerges not in spite of their length, but because of it. Short shorts often seem like the quiet stepchild in the fiction family—overshadowed by vociferous novels, not quite dressed in the right attire as conventional short stories. A series celebrating these tiny gems is long overdue."—Grant Faulkner, co-founder of 100 Word Story, author of Fissures
"The loud and long message of the seemingly quiet and the definitely short is in ample supply in The Best Small Fictions 2015. From a mother’s fury over misspelled words in Dee Cohen’s ‘By Heart’, to a father’s disintegration in David Mellerick Lynch’s ‘Lunar Deep’, there is pathos, depth and welcome language-fireworks in these small gems. Chekhov would be proud of how briefly these writers manage to speak on lengthy subjects."—Nuala Ní Chonchúir

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