Víctor Català, Solitude, Trans. by David H. Rosenthal, Readers International, 1992 [1905]
Beautiful, industrious, and intelligent Camilla is taken to an isolated hermitage in the Pyrenees by her lazy and insensitive husband, Matias. There she contends not only with her rapidly failing marriage but with her attraction to her young neighbor Arnau; her growing admiration and respect for the older shepherd named Gaieta; and the violent intentions of the bestial Anima. Through Gaieta's guidance, Camilla finds strength and a sense of self in the mountains: "Forcing her to gaze over every steep precipice, teaching her how to twist her body and secure her footing in dangerous spots, making her look down when they were halfway up a cliff and laughing at her terror, he helped conquer her fears ... And now she loved the excitement she felt on those peaks and the way the yawning depths seemed to suck her soul out of her." Faced with debt, deprivation, and violence, she must make choices for and ultimately by herself. While Caterina Albert i Paradis had little choice but to use a male pseudonym, she wrote Solitude from an intensely feminine viewpoint, delving deeply into the thoughts and emotions of a young woman caught by circumstance. It has been called "the most important Catalan novel to appear before the Spanish Civil War," when Franco took power and outlawed the Catalan language for more than thirty-five years. To find it translated into English and in print may be more remarkable still. - Erica Bauermeister
This novel is one of the classics of the modern Catalan novel. It was first published in 1905 and though Català wrote other works afterwards, she had only limited success, despite living for another sixty years. She tells us in the foreword that when she initially wrote it, she cut out two chapters as she thought the book was too long. When she was planning to republish the book at the beginning of the Spanish Civil War, she planned to put them back. When she returned home to fetch the manuscript, she found that her house had been raided by the authorities in the search for guns. They had taken the shotgun used by her great-grandfather to fight against the Napoleonic invasion but her manuscript, apart from a few scattered pages, had also disappeared, so this book still contains only the original eighteen chapter plus a few fragments.
The book is about Matias and Mila, two newly-weds. He has been given the job of a caretaker of a hermitage up in the mountains and their honeymoon is the long and arduous journey to the hermitage. Mila bitterly complains for much of the journey, her concerns exacerbated by the sight of the steep path to their destination. When they finally get there, her comment is How lonely!
They are met by Gaietà, a shepherd, and a boy assistant, Baldiret. A tour of the premises does not improve Mila’s mood. The chapel is devoted to St Pontius, according to Gaietà, the patron saint of good health (though I can find no evidence for this). Mila finds it frightening, as it seems to be full of what she calls stinking and worm-eaten junk. The noise of the mountains – St Pontius’ Roar – does not help. The next morning the view is merely grey and, despite the splendours of the mountains, not appealing.
A few of the missing pages mentioned appear as Baldiret loves stories and Gaietà tells him several during the course of the book, all of which have an element of fantasy about them. However, there is a dark side and the dark side is Anima. Anima is a wild mountain man who seems to make his living from trapping rabbits but, according to Gaietà, he is the nastiest man in these mountains. Mila and Gaietà see him from a distance but Mila will see him again. - read more here:
www.themodernnovel.org/europe/w-europe/catalonia/victor-catala/solitude/
Victor Català, A Film, Open Letter, 2022
Nonat Ventura, an orphan raised by nuns in Girona, Spain, embarks on a compulsive quest to uncover his origins, with the hope that he is destined for a higher social status. His search leads him from a successful apprenticeship, to factory work in Barcelona, and finally to a band of thieves that seeks to get rich by any means necessary. Nonat’s central story frames a series of stories, a kaleidoscopic effect within a One Thousand and One Nights narrative: fictional tropes of orphans, spinsters, maids seduced by masters, crooks, go-getting provincials combined with realist depictions of factory workers, haberdashers, street-porters, corrupt politicians, and Belle Époque high society.
Català relishes describing the male proletarian ambience of small factories and capturing the fraught atmosphere, carnival of disguises, and class tensions on the city’s streets, in its households, Liceu opera house, and theaters. A rebellious artistic project that was set to shock and discomfort readers and critics, Català contests the prevailing ideas on space, class, language, art, and gender.
"Solitude in the City: Victor Català with Mercè Rodoreda"
in Women's narrative and film in twentieth-century Spain: a world of difference(s) by Ofelia Ferrán, Kathleen Mary Glenn, 2002.
Víctor Català was the penname of Caterina Albert i Parads, a catalan writer who took part in catalan Modernism movement. Her literary skill was first recognized in 1898, when she received the Jocs Florals (floral games) prize; soon thereafter, she began using the pseudonym Victor Catal, taking it from the protagonist of a novel she never finished. Despite her success as a dramatist and her forays into poetry, she is best known for her work in narrative literature, with the force of her style and the richness of her diction being especially noted. She died in her hometown of lEscala, Catalonia, in 1966 and is interred in the Cementiri Vell de lEscala.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.