Joe Hall - Waiting to subsume, fuck up Them cities, bring murder into the bridal chamber And armies copulating in the killing field mud

Joe Hall, Pigafetta Is My Wife (Black Ocean, 2010)

"Pigafetta Is My Wife enters the crisis that is the love between the colonizer and the colonized. These poems fragment the journals of Antonio Pigafetta, a 16th Century traveler who recorded Magellan’s hellish circumnavigation of the globe, while tracking a present-day speaker and his beloved as they are distanced and reunited across the map. Along the way we visit historical moments including a botched circumcision as performance art, the Rape of Nanking, and 17th century missionaries in the Philippines. Through this intertwining of narratives the book reveals how the past and present are visceral beasts caught in a cycle of passion and destruction. Like an epic murder ballad, Hall moves from collage to epistle, suffering to ecstasy, while pinpointing what is at stake in the pursuit of love and the dismantling of the self."

“A genuinely fine work, moving beautifully between Magellan’s voyage—the ethics therein, with language informed by discovery literature—and a series of epistles, taking the notion of circumnavigation to an unforeseeable confessional level. I like the work very much—that making necessary of history—and see it as one of lyric poetry’s responsibilities. The epilogues, too, are beautiful.” —Dan Beachy-Quick

“Almost impossibly grand in scope Pigafetta Is My Wife is a rare achievement and quite a debut. Hall’s poetry crosses contemporary love and ancient epic, folding inward and out by motion derivative of the sestina and pantoum, so that whether via image or address, beautiful shards fall: ‘A chrysanthemum blossom sails across a bowl of milk.’ Emotion accretes in accordance with ambition. A treatise on the action of discovery, this is a book to be taken in whole.” —Sally Keith

Comments

Popular posts from this blog

across & beyond - a transmediale Reader on Post-digital Practices, Concepts, and Institutions

Daïchi Saito proposes a personal reflection on language and the image, a meditation that does not strive to theorize practice, but to recount it.

Thor Garcia - By turns defiant, paranoid, brooding, absurd and knock-down funny. Like Hunter S. Thompson meets Russ Meyer’s Under the Valley of the Supervixens meets Daft Punk – wearing a press pass and a smiley badge to a San Francisco gangbang